The Jewel of the Nile is a 1985 American action-adventure romantic comedy film directed by Lewis Teague and produced by Michael Douglas, who also starred in the lead role, and reunites with co-stars Kathleen Turner and Danny DeVito all reprising their roles. It is the sequel to the 1984 action-adventure romantic comedy film Romancing the Stone.
Like Romancing the Stone, the opening scene takes place in one of Joan's novels. This time, instead of Jesse and Angelina in Joan's wild-west scenario, Joan and Jack are about to be married when pirates attack their ship. The Jewel of the Nile sends its characters off on a new adventure in a fictional African desert, in an effort to find the fabled "Jewel of the Nile".
The song performed by Billy Ocean, "When the Going Gets Tough, the Tough Get Going", became a major international hit, reaching #1 in the UK and #2 in the US.
Plot:
Taking place six months after the events in Romancing the Stone, Joan Wilder's (Kathleen Turner) and Jack Colton's (Michael Douglas) romance has grown stale. While moored at a port in the South of France, Joan, suffering writer's block, wants to return to New York, while Jack prefers aimlessly sailing the world on his boat, the Angelina. At a book signing engagement, Joan meets Omar Khalifa (Spiros Focás), a charming Arab ruler who wants Joan to write his biography.
Joan accepts and leaves with Omar over Jack's protests. Jack later runs into Ralph (Danny DeVito), the swindler from Jack and Joan's previous adventure in Colombia, who demands Jack turn over the stone Jack and Joan found. Shortly after, an Arab, Tarak (Paul David Magid), informs Jack about Omar's true intentions and claims that Omar has the "Jewel of the Nile"; just as Tarak finishes his explanations, the Angelina explodes from a bomb set by one of Omar's men. Ralph and Jack team up to find Joan and the fabled jewel.
Joan soon discovers that Omar is a brutal dictator rather than the enlightened ruler he claimed will unite the Arab world. In the palace jail, Joan encounters Al-Julhara (Avner Eisenberg), a holy man who is, in fact, the "Jewel of the Nile" and whom Omar fears.[Note 1] Al-Julhara tells Joan that Omar plans to declare himself ruler of all of the Arab world at a ceremony in the city of Kadir.
Realizing that Al-Julhara is the only one who can stop Omar, Joan decides to escort him to Kadir herself. The pair escape and find Jack, and they flee into the desert in Omar's hi-jacked F-16 fighter jet. Ralph is captured by Tarak's rebel Sufi tribe who are sworn to protect the Jewel so he can fulfil his people's destiny.
After encountering a Nubian mountain tribe, Joan and Jack's romance is rekindled. Joan tells Jack that the jewel is not a gem stone but Al-Julhara. In Kadir, Omar intends to use a smoke-and-mirror special effect provided by a British rock promoter to convince onlookers that he is the prophet who will unite the Arab world. Jack, Joan, and Al-Julhara arrive to expose Omar but are captured. Omar suspends Jack and Joan with ropes over a deep pit (a scenario taken from Joan's biggest-selling novel, The Savage Secret) while Al-Julhara is in a stockade. Ralph, along with the Sufi tribe, arrives in time to rescue the three prisoners.
As Omar takes centre stage to address the Arab people, Jack and Joan disrupt the ceremony while the Sufi battle Omar's guards. A fire breaks out, engulfing Omar's stage. Jack and Joan are separated, and Omar corners Joan atop the burning scaffolding. Ralph, using a giant crane, helps Jack reach Joan in the nick of time; he kicks Omar over the side and down into the flames, killing him. Al-Julhara rises and safely walks through the blazing inferno, fulfilling the prophecy that he is the true spiritual leader.
The following day, Jack and Joan are married by Al-Julhara. While Ralph is genuinely happy for Jack and Joan, he laments once again having gained nothing for his efforts, but Tarak acknowledges that he is a true Sufi friend and presents him with a jewelled dagger as Jack and Joan happily sail away down the Nile.
Production:
With a $21 million budget, principal photography began April 22, 1985 with filming wrapped on July 25, 1985. Location shooting took place at Villefranche-sur-Mer and the Palais des Festivals et des Congrès, Cannes, France, Ait Benhaddou near Ouarzazate and Meknes, Morocco, among other locations, including Zion National Park, Springdale, Utah.
At the time, both Kathleen Turner and Michael Douglas only made the sequel because they were contractually obligated to do so, although Douglas was much more invested in the film as its producer. At one point during pre-production, Turner tried to back out of the project because she found the script "terrible, formulaic, sentimental", until 20th Century Fox threatened her with a $25 million lawsuit for breach of contract. Douglas intervened on her behalf and ensured that a rewrite was made.
Turner was disappointed that Douglas did not ask Diane Thomas, the writer who had penned the script for Romancing the Stone, to return for the sequel, apparently because he decided her asking price was too high. When Douglas agreed to undertake rewrites to please Turner, Thomas was asked to consult on alterations, but Turner remained disappointed with the script.
Turner, Douglas and DeVito would later reunite in the unrelated film The War of the Roses.
Filming in North Africa was dogged with problems from unbearable 120-degree-Fahrenheit heat to problems with the local crew but the most troubling concern was that the director showed that he was not up to the task of helming an action film. After one massive night scene that was hours in setup, and cast and crew in place, it was only then that someone noticed that there was no film in the cameras. As producer, Michael Douglas exploded; the whole debacle had to be re-filmed another day, only after the raw film stock was finally located. More problems with local customs cropped up, with film and equipment mysteriously held up by customs until the requisite bribes were paid. In the end, being only three weeks behind schedule was a minor triumph for Douglas.
Approximately two weeks before principal photography began, an aircraft carrying Richard Dawking (production designer) and Brian Coates (production manager) crashed during location scouting over the countryside of Morocco, killing all on board. The film is dedicated to the memory of Dawking and Coates, as well as screenwriter Diane Thomas, who had died in an automobile accident six weeks before the film's release. During filming in Morocco, Douglas and Turner flying in an executive jet aircraft, had a near-accident when their aircraft wing struck the runway in a heavy landing.
The film model of a F-16B two-seat fighter aircraft used in the films The Jewel of the Nile and The Living Daylights (1987) on display at Atlas Film Studios, Ouarzazate in Morocco
The use of a General Dynamics F-16 Fighting Falcon mock-up was a key element of the main characters escaping from a fortified town. The wooden, Styrofoam and fibreglass mock-up was built on an automobile chassis and powered by a 350ci Chevrolet engine.
As with the first film, the novelization of the sequel was credited to Joan Wilder, the character played by Kathleen Turner; both books were actually ghost-written by Catherine Lanigan.
The Jewel of the Nile was the final film released on the RCA SelectaVision CED video format. It was also released in other media formats.
Soundtrack:
"When the Going Gets Tough, the Tough Get Going", performed by Billy Ocean, and "The Jewel of the Nile", performed by Precious Wilson, play during the film and in the end credits respectively. Douglas, Turner, and DeVito also co-starred with Ocean in the MTV music video of the same name. The soundtrack features 1980s rap group Whodini and their single "Freaks Come Out at Night" as Michael Douglas and company make their way through the desert on camel back[17] as well as "Party (No Sheep Is Safe Tonight)" by The Willesden Dodgers during the campfire party scene.
Arista released a soundtrack album on record, cassette and compact disc.
{An amazing song!}
Release/Reception/Box Office:
While The Jewel of the Nile grossed almost as much as its predecessor, the film was much less successful critically and effectively killed the franchise.
Critics felt the film was loaded with numerous plot holes and that it lacked the first film's original charm. The New York Times opened its review by writing, "There's nothing in The Jewel of the Nile that wasn't funnier or more fanciful in Romancing the Stone." Roger Ebert agreed that "... it is not quite the equal of Romancing the Stone," but praised the interplay between Douglas and Turner. "It seems clear," he wrote, "that they like each other and are having fun during the parade of ludicrous situations in the movie, and their chemistry is sometimes more entertaining than the contrivances of the plot."
Colin Greenland reviewed The Jewel of the Nile for White Dwarf #77, and stated that "The Jewel of the Nile is the sequel to Romancing the Stone, another adventure fantasy with just the right pinch of preposterousness. Against all odds, this is a sequel as enjoyable and endearing as the original."
The Jewel of the Nile holds a rating of 46% on Rotten Tomatoes based on 26 reviews. The critical consensus reads: "The sense of romantic spark has waned and the prevalence of stereotypes has grown in Jewel of the Nile, although there is still plenty of swooning action for fans of the first adventure."
Then-U.S. President Ronald Reagan viewed this film at Camp David in January 1986.
Budget $25 million
Box office $96.7 million
Unproduced Sequel:
Talk of another film in the romance/adventure series again featuring Douglas, Turner and DeVito reprising their roles never got beyond a draft. In The Crimson Eagle, Jack Colton and Joan Wilder take their two teenage kids to Thailand where they are blackmailed into stealing a priceless statue. The project languished until 1997, when Douglas as the tentative producer of the film, announced he was no longer interested.
In 2005 and again in 2008, Michael Douglas was working on a second sequel to Romancing the Stone entitled Racing the Monsoon, although there have been no further developments in recent years. Since 2007, 20th Century Fox considered a remake of Romancing the Stone with the possibility of a "reboot" of a series. The roles of Jack Colton and Joan Wilder would be filled by Taylor Kitsch (or Gerard Butler) and Katherine Heigl. By 2011, the remake was re-worked as a television series.
My Review:
This is a worthy sequel to "Romancing the Stone", although not as polished, with the featured actors already a little stilted after the first outing. It is probably significant that the following 15 years have not yet seen a further addition to the series, despite the star quality and charisma of the two leads who do play comedy well together, both in this truncated series and in the blacker "War of the Roses". The film suffers from a disjointed plotting, which appears to serve only to link together both some admittedly fine action sequences (a ground-based escape in an F-16 fighter plane, among them) and also the interminable arguments and subsequent reconciliations between Douglas and Turner.
Whilst certainly not reaching the heights of style of the original film, "The Jewel of the Nile" nevertheless provides a good rounded slice of action/adventure/romance entertainment, with some witty one-liners for DeVito delivered in his own inimitable style and featuring an endearing cameo from Avner Eisenberg as the mystical `Jewel' of the film's title who delivers his religious and philosophical pronouncements in a curious combination of the spiritual world and western pop culture.
I loved Romancing the Stone, yes it was old-fashioned but it was a lot of fun too. The Jewel of the Nile isn't as good, there are pacing problems, the story isn't as well held together this time around and the chemistry between Douglas and Turner doesn't quite sparkle as much. However, the locations, scenery and cinematography are superb, as is the score, while the action and one-liners effortlessly come by thick and fast. The direction is also pretty good, while Michael Douglas, Danny DeVito and especially Kathleen Turner clearly have a lot of fun as they search for the Jewel of the Nile. All in all, not quite as good but it is a sequel worth watching. It isn't as well thought out, but there is plenty to enjoy and the film doesn't fall into the trap of being a sequel that is its predecessor all over again; 7/10.
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