Psycho's Movie Reviews #381: Mulan (2020)

Mulan is a 2020 American fantasy action drama film produced by Walt Disney Pictures. Directed by Niki Caro from a screenplay by Rick Jaffa, Amanda Silver, Lauren Hynek, and Elizabeth Martin, it is a live-action adaptation of Disney's 1998 film of the same name, itself based on the Chinese folklore story Ballad of Mulan. The film stars Yifei Liu in the title role, alongside Donnie Yen, Tzi Ma, Jason Scott Lee, Yoson An, Ron Yuan, Gong Li, and Jet Li in supporting roles. In the film, Hua Mulan, the eldest daughter of an honored warrior, masquerades as a man to take her ailing father's place during a general conscription to counter the Rouran army in Imperial China.

Plans for a live-action remake began in 2010 but the project stalled in "development hell" for most of the decade. Filming took place in New Zealand and China from August to November 2018. Over the course of production, the film was the subject of several controversies, including changes to the source material and filming in Xinjiang in light of the Uyghur genocide and Xinjiang internment camps. The film also received criticism for its production team largely consisting of people of non-Chinese descent. This included the hiring of Caro, rather than an Asian director.

Mulan held its world premiere at the Dolby Theatre in Hollywood on March 9, 2020. The film was originally scheduled for a wide theatrical release later that month, but was cancelled in the United States after being delayed several times due to the COVID-19 pandemic. Subsequently, the film was released on September 4, 2020 by Disney+ for a premium fee known as Premier Access in countries where the service had launched. The film had a traditional theatrical release in countries without Disney+ where theaters had re-opened.

Due to its overall limited theatrical release as a result of the pandemic however, the film grossed just under $70 million (not including revenue from Disney+ Premier Access) against a production budget of $200 million. The film received generally positive reviews from Western critics, who praised the action sequences, costumes, and performances, but was criticized for the screenplay and editing. However, it received unfavourable reviews from fans of the original and Chinese critics, who criticized the character development, its cultural and historical inaccuracies, and its depiction of Chinese people. At the 93rd Academy Awards and 26th Critics' Choice Awards, the film received nominations for its costume design and visual effects, as well as a Best Special Visual Effects nod at the 74th British Academy Film Awards.

Plot

In Imperial China, Hua Mulan is an adventurous and active girl, to the disappointment of her parents Zhou and Li, who hope that one day she will be wed to a good husband. As a young woman, Mulan is arranged to meet with a matchmaker to demonstrate her fitness as a future wife. Mulan, flustered, attempts to pour tea in front of the matchmaker, but a spider scares the former's younger sister Xiu, accidentally causing a mishap that destroys the teapot, leading the matchmaker to call her a disgrace in front of her family.

To the north, an imperial outpost is invaded by Rouran warriors, under the leadership of Böri Khan. They are assisted by the witch Xianniang, who uses her magic to pose as a surviving soldier and report the attack to the Emperor of China; he then issues a conscription decree ordering every family to contribute one man to fight Khan's forces.

Imperial soldiers arrive in Mulan's village to enlist recruits and Zhou is forced to pledge his service as he has no sons, immediately falling over in front of the soldiers due to his crippled leg. Realizing that her father has no chance of survival, Mulan flees with his armour, horse, and sword to join in his place. Mulan arrives at the training camp, which is run by Commander Tung, an old comrade of Zhou. Alongside dozens of other inexperienced recruits, she ultimately becomes a trained soldier under his tutelage without exposing her true identity.

The Khan's army continues to advance, forcing Tung to end training early and send his battalion to fight. Mulan chases some troops on her own, but is confronted by Xianniang, who mocks her for pretending to be a man. She attempts to kill Mulan, but her attacks are stopped by the leather with which Mulan's chest had been bound to hide her identity. Mulan removes her male disguise, returning to the battle just as the Rourans begin attacking her fellow troops with a trebuchet. Mulan uses discarded helmets and her archery skills to manoeuvre the trebuchet into firing on a snowy mountain, triggering an avalanche that buries the Rourans.

Mulan rides back to camp and rescues Chen Honghui, a soldier she befriended in camp. Unable to hide her true gender any longer, she is expelled from the army and begins her return home. On her way, she is confronted by Xianniang, who reveals that she was also shunned by her people and fights for Böri Khan only because he treats her as an equal and that no one else does. Additionally, she reveals that the attacks on the outposts have been a diversion, as Khan's true plan is to capture and execute the Emperor for having his father killed. Risking execution, Mulan returns to her battalion to warn them of the impending capture. The soldiers she befriended stand up for her, and Tung decides to believe her, and allows her to lead a unit to the Emperor's palace.

Xianniang uses her magic to be in the image of the Imperial Chancellor and persuades the Emperor to accept Böri Khan's challenge to single combat, while removing the city guards from their posts. The guards are murdered, and the Rourans prepare to burn the Emperor alive. Mulan's unit distracts the Rourans while Mulan goes to save the Emperor. Khan tries to snipe her with an arrow, but Xianniang, sympathetic to Mulan and disenchanted from Khan, transforms into an hawk and sacrifices herself by intercepting the arrow. Mulan kills Khan, but not before he disarms her and destroys her father's sword. She frees the Emperor, who offers to let her join his personal guard. She declines the offer and returns to her village.

Mulan is reunited with her family. An emissary from the Emperor, under the leadership of Commander Tung, arrives to present Mulan with a new sword, while making a personal request that she join the Imperial Army as an officer.

Production

Development

As early as 2010, Walt Disney Pictures had expressed interest in a live-action adaptation of the 1998 animated film Mulan with international Chinese star Zhang Ziyi, and Chuck Russell chosen as the director. That version of the project never came to fruition.

On March 30, 2015, The Hollywood Reporter reported that Disney had restarted development of the live-action adaptation with Chris Bender and J. C. Spink producing, while Elizabeth Martin and Lauren Hynek would be writing the screenplay. On October 4, 2016, it was announced that Rick Jaffa and Amanda Silver would rewrite the script, combining the Chinese ballad and the 1998 animated film, while Jason T. Reed would be producing the film along with Bender and Jake Weiner. On February 27, 2020, Reed said that Mulan's sidekick from the original film, Mushu, was removed due to the character's negative reception in China. Reed also said, aside from both the original ballad and the animated film, the filmmakers drew inspiration from different Chinese adaptations of the ballad while writing the film. He stated that, since "the traditional Disney audience and the diaspora Asian audience viewed the movie in one way, and the traditional Chinese in China audience viewed a slightly different way," the filmmakers "dug in to try and make sure that they are addressing both of those audiences in a thoughtful way."

Casting

Since several 2010s Hollywood films were accused of whitewashing, Mulan was under intense scrutiny since The Hollywood Reporter wrote that Disney was making a live-action adaptation of the 1998 film. An online petition titled "Tell Disney You Don't Want A Whitewashed Mulan!" received more than 100,000 signatures. On October 4, 2016, Disney announced that a global search for a Chinese actress to portray the title role was underway. A team of casting directors visited five continents and saw nearly 1,000 candidates for the role with criteria that required credible martial arts skills, the ability to speak clear English, and star quality.

On November 29, 2017, Chinese-American actress Yifei Liu was cast in the film to portray the titular role of Mulan. Many celebrated this as a win for diversity in Disney films. Further cast announcements for Donnie Yen, Gong Li, Jet Li, and Xana Tang were made in April 2018, Utkarsh Ambudkar and Ron Yuan in May, Yoson An and Chum Ehelepola in June, Jason Scott Lee in July, Tzi Ma, Rosalind Chao, Cheng Pei-Pei, Nelson Lee, Jimmy Wong and Doua Moua in August, and Chen Tang in September.

Director

Disney originally sought an Asian director. They first considered Ang Lee, the Taiwanese-born director and two-time Academy Award winner for Best Director. The Hollywood Reporter mentioned that Lee was approached but declined, on October 12, 2016. According to the report, published on November 22, 2016, he said that he would like to see an Asian director leading the film, but he had to decline because he was still obliged to promote his film Billy Lynn's Long Halftime Walk. Next, Disney met with Jiang Wen for the position; finally on February 14, 2017, New Zealander Niki Caro was hired as the director of the film, which made Mulan the second Disney film with a female director and a budget above $100 million, following A Wrinkle in Time.

Filming

Principal photography began on August 13, 2018, at locations in New Zealand and China and wrapped on November 25, 2018. According to actress Gong Li, the film's production budget was $290–300 million due to the "massive and...unprecedented scale" of the sets, although the actual figure was later reported to be $200 million. The budget makes Mulan the most expensive film ever directed by a woman.

Post-Production

The visual effects are provided by Sony Pictures Imageworks, Weta Digital, Framestore, and Image Engine. Seth Maury and Anders Langlands served as visual effects supervisors and Sean Andrew Faden served as production supervisor.

Music Christina Aguilera recorded two songs for the film including a remake of her song "Reflection" from the 1998 animated film Mulan

The remake does not feature any songs from the original film, and instead uses instrumental versions of the original film's songs. Caro later explained that the songs were deleted because she felt their use did not fit with her realistic vision of the film; she believes that since people do not break out into song as they enter war, the film should not either. Though she still tried to "honour the music from the animation in a very significant way," as she did not want to disrespect the original film; however, she stated she could not find a place to use the original music. Producer Jason T. Reed clarified Caro's previous statement by saying that the songs would be featured "in a slightly different way" in the remake.

Harry Gregson-Williams, who previously worked with Caro on The Zookeeper's Wife, composed the film's score with additional music by Tom Howe and Stephanie Economou.

Matthew Wilder, who co-wrote the songs for the original film, said the remake would feature a new version of the song "Reflection," and that the song "thematically plays a large part in the new movie throughout the score." Christina Aguilera, who previously performed an end-credits version of "Reflection" for the original film, confirmed during a performance in The Xperience that she had recorded a new version of "Reflection," as well as new material for the remake's soundtrack. On March 6, 2020, she released a new single for the film's soundtrack, titled "Loyal Brave True." The song was written by Jamie Hartman, Harry Gregson-Williams, Rosi Golan and Billy Crabtree, and produced by Jamie Hartman. The song was also released in Spanish, as "El Mejor Guerrero." Additionally, the singer confirmed that she would also release a re-recorded version of "Reflection." On March 8, a Mandarin-version of the song, titled "自己" ("Zìjǐ"), performed by Yifei Liu was released, while Aguilera's English version was issued later the same year, on August 28. The soundtrack album was released by Walt Disney Records on September 4, 2020.

Release/Reception/Box Office

Mulan was released by Walt Disney Studios Home Entertainment on Digital HD on October 6, 2020, followed by a DVD, Blu-ray, and Ultra HD Blu-ray release on November 10, 2020.

Review aggregator Rotten Tomatoes reports that 73% of 317 critic reviews were positive, with an average rating of 6.7/10. The site's critical consensus read, "It could have told its classic story with greater depth, but the live-action Mulan is a visual marvel that serves as a stirring update to its animated predecessor." On Metacritic, the film has a weighted average score of 66 out of 100 based on 52 critics, indicating "generally favourable reviews".

Richard Roeper of the Chicago Sun-Times gave the film three-and-a-half out of four stars, praising the "fine cast, exciting action and spectacular visuals" and writing, "This is such a great-looking film, with amazing set pieces and dazzling action and colours so vibrant they would dazzle a Crayola factory, it will still play well on your home monitor. There are so many gorgeous shades of orange and magenta, blue and yellow, it's as if we’re seeing these colours for the first time." Kate Erbland of IndieWire gave the film a "B+", calling it a "remarkable action epic that carves its own path" and wrote, "Mulan is perhaps the best example of how to marry the original with something fresh. 'The Ballad of Mulan' has always been an epic-scale story about the power of being yourself in a world not ready to accept that, a tale that will likely always have resonance."

Leah Greenblatt of Entertainment Weekly gave the film a B+ and described it as "a classic hero(ine)'s tale, exhilarating in its elaborate set pieces and large-scale ambitions even when the smaller human story within it sometimes falls short." Writing for Variety, Peter Debruge said, "On one hand, the result isn't immediately recognizable as 'a Disney movie,' but neither does it establish its own narrative or visual signature, the way Tarantino did when remixing Asian influences for Kill Bill. This is pure pastiche, as Caro and her crew shamelessly pilfer from kung fu, Fifth Generation and Hong Kong action movies, incorporating anime and Bollywood touches as well."

Mick LaSalle of the San Francisco Chronicle wrote, "Mulan is a spirit lifter, and though it doesn't arrive as planned, it could not arrive at a better time", saying "Throughout Mulan, there are shots of such visual splendour that viewers will catch their breath. In one, the morning mist clears and reveals an army in the distance, with its flags and colours, a frightening yet strangely beautiful sight." Justin Chang of the Los Angeles Times wrote, "Mulan is a heroic muddle, one that elicits both a disappointed sigh and an appreciative nod. It lays down a marker of progress achieved and progress to come."

Aja Romano of Vox wrote, "The Mulan remake jettisons everything great about Disney's animated classic and delivers nothing new." and "Mulan's few bright spots can't save it from clunky writing"

Anupama Chopra of Film Companion wrote, "Mulan should have been a much better film. I loved the 1998 animated original. The live action version doesn’t have songs or the sassy, talking dragon Mushu. The beats are predictable and it’s decidedly odd to see Chinese people speaking with American accents. But I’m a sucker for father-daughter stories."

Walter Chaw of Film Freak Central gave the film one half out of four stars, writing, "Everything about this Mulan is ironic accidentally. Whatever its intentions, its execution and the circumstances of its creation are in opposition to them. It's a feminist tract that enforces male notions of value; a call to arms that fights for the wrong side of our current history; and a proud statement of national identity that celebrates the Nation of Disney as opposed to China. It's majestically painful as a representation of how white people view Asians and, yes, it would be different had an Asian person been allowed to direct the film."

Grace Wong of the Chicago Tribune wrote, "The animated Mulan meant so much to me, and the character I grew up loving taught me that being loyal, brave and true means standing up for what you believe in, no matter the cost. Today, I believe Mulan would be on the side of the Hong Kong protesters, who also fight to have independence, their voices heard and their lives valued. I hoped to see these threads in the new iteration. Instead we got an almost unrecognisable, twisted reflection of the original."

Hamilton College professor Zhuoyi Wang argues that the film "is not, as many believe, just another Disney film suffering from simple artistic inability, cultural insensitivity, or political injustice, but a window into the tension-ridden intersectionality of the gender, sexual, racial, cultural, and political issues that shape the production and reception of today’s cross-cultural films." "The film made significant compromises between its goals of cultural appropriateness, progressive feminism, and monetary success. Although it eventually failed to satisfactorily resolve these at times conflicting missions, it still achieved important progress in addressing some serious gender and cultural problems in Mulan’s contemporary intertextual metamorphosis, especially those introduced by the Disney animation."

Mulan grossed $5.9 million from nine countries in its international opening weekend, including $1.2 million in Thailand and $700,000 in Singapore, both of which were the highest debuts of 2020 in the respective countries. It also made $800,000 in both the United Arab Emirates and Saudi Arabia. In its second weekend the film made $29.1 million from 17 countries, including $1.8 million in Russia and finishing first in Ukraine, Hungary, Serbia, and South Africa. Through three weekends the film had grossed $57 million internationally.

The film made $23.2 million on its opening weekend in China, a low figure but a 23% improvement upon Aladdin's debut the year before. Several factors, such as the film only receiving an official Chinese release date days before, giving little chance to build a strong marketing campaign, the film's Disney+ digital release resulting in pirated copies online, a lack of local press coverage due to the film being partially shot in the controversial Xinjiang region and to avoid drawing attention to the political controversies surrounding the film, as well as low reception from fans on sites such as Maoyan and Douban, were cited as contributing to the film's muted performance. The film fell 72% in its second weekend in the country to $6.5 million.

Budget $200 million

Box office $70 million

My Review

Saw 2020's 'Mulan' as a massive Disney fan. Although their recent live action offerings are very mixed and none are as good as the originals, many of their animated films are fine examples of how to do animation right. Looking at the title, the advertising and that seeing it was made by Disney, it is very easy to think that this is another one of the live action remakes and it is easy why it has been critiqued as one. Part of me was really psyched being somebody who loves the 1998 film, but also worried when seeing the hate for the film and for the lead actress.

When seeing 'Mulan', it didn't actually strike me as a live action remake and doesn't have an awful lot of Disney in sight. Other than the title and references to the score of the 1998 film embedded in this one. Instead to me it came over as more another version of the character and her story, and one more serious and less family friendly, so directly comparing the two films didn't strike me as right. While the disappointment that is expressed is understandable, as there are big flaws to be found and it definitely does not have the same amount of charm, heart and thrills as the 1998 film, to me 'Mulan' was not that bad and was not deserving of the extreme backlash before it was even released. Seeing as Yifei Liu's personal views had/have nothing to do with Disney or the film crew.

'Mulan' is not perfect. Do agree with those that say that a lot of the dialogue is pretty bad, with a tendency to sound stilted, especially in the cringe-worthy and very out of place attempts at sporadic humour with the troops, and go too heavy on emphasising the characters' values. Loyal, brave and true agreed did not need to be emphasised so much, the point was made quite quickly. There are things in the plot that sounded oddly intriguing on paper, but done too little with. Especially with the phoenix, which doesn't really add anything.

Both Xianniang and Bori Khan felt like underdeveloped characters. The former comes off better as she is suitably mysterious and alluring, but her motives are pretty confused later on (with it being not clear what side she was on), she is pretty much a come and go plot device and her final scene felt very rushed. Bori Khan has an intimidating look but is underused and his motivation is pretty much the only thing that is learnt about him. Didn't like how easily defeated he was and how clumsy the scene looked. In general the characters could have done with more depth, Mulan and Zhou are the ones that come closest, and the film could have done with more soul.

However, 'Mulan' does look great, especially striking in the truly exquisite historical visuals and the at its best majestic scenery. There is a lot of colour and atmosphere in the photography, which was clearly inspired by the likes of Zhang Yimou, and the costumes do catch the eye. The CGI didn't seem too excessive and didn't look jarringly cheap either. Harry Gregson-Williams' score is stirring and also has a sumptuous emotional core, also enjoyed hearing references to the music from the 1998 film. Niki Caro on the most part directs with confidence.

Personally really was impressed by the beautifully choreographed and dynamically photographed action. When it needed to be tense it was, when it needed to be particularly athletic it was and when it needed to excite it did. Especially the big battle and the avalanche. It was easy to feel the strength, pain and perseverance needed to get through all that training, only the final showdown came over as ridiculous. The story was not perfect but it engaged enough, intrigued with the cultural aspects and inspired thanks to Mulan still being a strong character (though she doesn't grow as much or go on a character journey as much as the animated Mulan, if to briefly compare). Although the father-daughter reunion was more emotionally powerful previously, it is still quite moving in a subtle way here.

Moreover, the acting wasn't bad at all to me. Liu is a confident lead, bringing authority and vulnerability to Mulan that was ideal for this ideal heroine. Donnie Yen and Jet Li are strong authority figures and Jason Scott Lee does inject some menace into his underdeveloped role. Tzi Ma's performance is very telling in its nuance, more than once not even saying a word. Li Gong looks wonderful in the film and is both deceptively alluring and mysterious, despite the character herself is not meaty Gong's acting is quite complex.

In conclusion, prepared myself to hate it but quite liked it while finding it very flawed. 6.9/10