Psycho's Movie Reviews #128: Avengers Assemble (2012)

Marvel's The Avengers (classified under the name Marvel Avengers Assemble in the United Kingdom and Ireland), or simply The Avengers, is a 2012 American superhero film based on the Marvel Comics superhero team of the same name. Produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures, it is the sixth film in the Marvel Cinematic Universe (MCU). Written and directed by Joss Whedon, the film features an ensemble cast including Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, and Jeremy Renner as the Avengers, alongside Tom Hiddleston, Clark Gregg, Cobie Smulders, Stellan Skarsgård, and Samuel L. Jackson. In the film, Nick Fury and the spy agency S.H.I.E.L.D. recruit Tony Stark, Steve Rogers, Bruce Banner, and Thor to form a team capable of stopping Thor's brother Loki from subjugating Earth.

The film's development began when Marvel Studios received a loan from Merrill Lynch in April 2005. After the success of the film Iron Man in May 2008, Marvel announced that The Avengers would be released in July 2011 and would bring together Tony Stark (Downey), Steve Rogers (Evans), Bruce Banner (Ruffalo), and Thor (Hemsworth) from Marvel's previous films. With the signing of Johansson as Natasha Romanoff in March 2009, the film was pushed back for a 2012 release. Whedon was brought on board in April 2010 and rewrote the original screenplay by Zak Penn. Production began in April 2011 in Albuquerque, New Mexico, before moving to Cleveland, Ohio in August and New York City in September. The film has more than 2,200 visual effects shots.

The Avengers premiered in Los Angeles on April 11, 2012, and was released in the United States on May 4, as the last film of Phase One of the MCU. The film received praise for Whedon's direction and screenplay, visual effects, action sequences, acting, and musical score, and garnered numerous awards and nominations including Academy Award and BAFTA nominations for achievements in visual effects. The film grossed over $1.5 billion worldwide, setting numerous box office records and becoming the third-highest-grossing film of all time and the highest-grossing film of 2012, as well as the first Marvel production to generate $1 billion in ticket sales. In 2017, The Avengers was featured as one of the 100 greatest films of all time in an Empire magazine poll. Three sequels have been released: Avengers: Age of Ultron (2015), Avengers: Infinity War (2018), and Avengers: Endgame (2019).

Plot

The Asgardian Loki encounters the Other, the leader of an extra-terrestrial race known as the Chitauri. In exchange for retrieving the Tesseract, a powerful energy source of unknown potential, the Other promises Loki an army with which he can subjugate Earth. Nick Fury, director of the espionage agency S.H.I.E.L.D., arrives at a remote research facility, where physicist Dr. Erik Selvig is leading a team experimenting on the Tesseract. The Tesseract suddenly activates and opens a wormhole, allowing Loki to reach Earth. Loki steals the Tesseract and uses his sceptre to enslave Selvig and other agents, including Clint Barton, to aid him.

In response, Fury reactivates the "Avengers Initiative". Agent Natasha Romanoff heads to Kolkata to recruit Dr. Bruce Banner to trace the Tesseract through its gamma radiation emissions. Fury approaches Steve Rogers to retrieve the Tesseract, and Agent Phil Coulson visits Tony Stark to have him check Selvig's research. Loki is in Stuttgart, where Barton steals the iridium needed to stabilize the Tesseract's power, leading to a confrontation with Rogers, Stark, and Romanoff that ends with Loki's surrender. While Loki gets escorted to S.H.I.E.L.D., his adoptive brother Thor arrives and frees him, hoping to convince him to abandon his plan and return to Asgard. Stark and Rogers intervene and Loki is taken to S.H.I.E.L.D.'s flying aircraft carrier, the Helicarrier, where he is imprisoned.

The Avengers become divided over how to approach Loki and the revelation that S.H.I.E.L.D. plans to harness the Tesseract to develop powerful weapons as a deterrent against hostile extra-terrestrials. As they argue, Loki's other possessed agents attack the Helicarrier, and the stress causes Banner to transform into the Hulk. Stark and Rogers work to restart the damaged engine, and Thor attempts to stop the Hulk's rampage. Romanoff knocks Barton unconscious, breaking Loki's mind control. Loki escapes after killing Coulson and Fury uses Coulson's death to motivate the Avengers into working as a team. Loki uses the Tesseract and a wormhole generator Selvig built to open a wormhole above Stark Tower to the Chitauri fleet in space, launching his invasion.

Rogers, Stark, Romanoff, Barton, Thor, and the Hulk rally in defence of New York City, and together the Avengers battle the Chitauri. The Hulk beats Loki into submission. Romanoff makes her way to the generator, where Selvig, freed from Loki's mind control, reveals that Loki's sceptre can shut down the generator. Fury's superiors from the World Security Council attempt to end the invasion by launching a nuclear missile at Midtown Manhattan. Stark intercepts the missile and takes it through the wormhole toward the Chitauri fleet. The missile detonates, destroying the Chitauri mothership and disabling their forces on Earth. Stark's suit loses power, and he goes into freefall, but the Hulk saves him. In the aftermath, Thor returns with Loki and the Tesseract to Asgard, where Loki will face their justice.

In a mid-credits scene, the Other confers with his master about the failed attack on Earth.

Production

Development

Ideas for a film based on the Avengers began in 2003, with Avi Arad, the CEO of Marvel Studios, first announcing plans to develop the film in April 2005, after Marvel Enterprises declared independence by allying with Merrill Lynch to produce a slate of films that would be distributed by Paramount Pictures. Marvel discussed their plans in a brief presentation to Wall Street analysts; the studio's intention was to release individual films for the main characters—to establish their identities and familiarize audiences with them—before merging the characters together in a crossover film. Screenwriter Zak Penn, who wrote The Incredible Hulk, became attached to the film in 2006, and was hired by Marvel Studios to write the film in June 2007. In the wake of the 2007–2008 Writers Guild of America strike, Marvel negotiated with the Writers Guild of America to ensure that it could create films based on its comic book counterparts, including Captain America, Ant-Man and The Avengers. After the successful release of Iron Man (2008) in May, the company set a July 2011 release date for The Avengers. In September 2008, Marvel Studios reached an agreement with Paramount—an extension of a previous partnership—which gave the company distribution rights for five future Marvel films.

Casting began in October 2008 with Downey's signing. Though Don Cheadle was also reported to be reprising his Iron Man 2 role of War Machine for The Avengers, he later stated that he did not think the character would appear in the film. At the same time, two major prospects occurred for Marvel: Jon Favreau was brought in as an executive producer for the film, and the company signed a long-term lease with Raleigh Studios to produce three other big-budget films—Iron Man 2, Thor, and Captain America: The First Avenger (2011)—at their Manhattan Beach, California complex. In February 2009, Samuel L. Jackson signed a nine-picture deal with Marvel Entertainment to play Nick Fury in Iron Man 2 and other films. In September 2009, Edward Norton, who played Bruce Banner in The Incredible Hulk stated that he was open to returning in the film. The next month, executive producer Jon Favreau stated that he would not direct the film, but would "definitely have input and a say". Favreau also expressed concerns, stating, "It's going to be hard, because I was so involved in creating the world of Iron Man, and Iron Man is very much a tech-based hero, and then with Avengers you're going to be introducing some supernatural aspects because of Thor. Mixing the two of those works very well in the comic books, but it's going to take a lot of thoughtfulness to make that all work and not blow the reality that we've created". In March 2009, actress Scarlett Johansson replaced Emily Blunt in portraying Natasha Romanoff in Iron Man 2, a deal that subsequently attached her to The Avengers. The following day, Marvel announced that the film's release date had been pushed back to May 4, 2012, almost a full year later. Chris Hemsworth and Tom Hiddleston joined the film's cast in June, returning as Thor and Loki, respectively.

In July 2009, Penn talked about the crossover process, stating, "My job is to kind of shuttle between the different movies and make sure that finally we're mimicking that comic book structure where all of these movies are connected... There's just a board that tracks 'Here's where everything that happens in this movie overlaps with that movie'... I'm pushing them to do as many animatics as possible to animate the movie, to draw boards so that we're all working off the same visual ideas. But the exigencies of production take first priority". At first, Penn tried to reduce Thor's role in the script because he had doubts about the character's ability to succeed on film. He changed his mind once Hemsworth was cast as Thor. The film had always intended to use Loki as its villain, but Penn noted that early discussion had considered using Red Skull.

In January 2010, Marvel Studios chief Kevin Feige was asked if it would be difficult to meld the fantasy of Thor with the high-tech science fiction in Iron Man and The Avengers. "No," he said, "because we're doing the Jack Kirby/Stan Lee/Walt Simonson/J. Michael Straczynski Thor. We're not doing the blow-the-dust-off-of-the-old-Norse-book-in-your-library Thor. And in the Thor of the Marvel Universe, there's a race called the Asgardians. And we're linked through this Tree of Life that we're unaware of. It's real science, but we don't know about it yet. The 'Thor' movie is about teaching people that". In March, it was reported that Penn had completed the first draft of the script, and that Marvel editor-in-chief Joe Quesada and Avengers comic-book writer Brian Michael Bendis had received copies. Also in March, Chris Evans accepted an offer to play Captain America in three films including The Avengers.

Pre-production

By April 2010, Joss Whedon was close to completing a deal to direct the film and to rework Penn's script, and was officially announced in July 2010. On the hiring, Arad stated: "My personal opinion is that Joss will do a fantastic job. He loves these characters and is a fantastic writer It's part of his life so you know he is going to protect it I expect someone like him is going to make the script even better". Feige added, "I've known Joss for many years. We were looking for the right thing and he came in and met on it we wanted to find a director that’s on the verge of doing something great, as we think Joss is." Whedon stated at the 2010 San Diego Comic-Con International, that what drew him to the film is that he loves how "these people shouldn't be in the same room let alone on the same team—and that is the definition of family".

When Whedon received Penn's draft, he told Feige he felt the studio did not "have anything" and they should "pretend this draft never happened". Part of Whedon's issue was the lack of character connections in Penn's draft, which necessitated Whedon to begin "at square one". Whedon went on to write a five-page treatment of his plan for the film, and created the tagline "Avengers: Some Assembly Required", riffing on the "Avengers Assemble" slogan from the comic books. Marvel quickly began working to sign Whedon to write and direct, only stipulating that he include the Avengers against Loki, a battle among the heroes in the middle, a battle against the villains at the end, and he get the film done for its May 2012 release. The script would go through "a lot of insane iterations of what might be" according to Whedon. Whedon explained there was a point when it was not certain Johansson would star in the film, so he "wrote a huge bunch of pages starring The Wasp", and wanted Zooey Deschanel to play the character. He also was "worried that one British character actor (Hiddleston) was not enough to take on Earth's mightiest heroes, and that we'd feel like we were rooting for the overdo. So I wrote a huge draft with Ezekiel Stane, Obadiah Stane's son, in it." Once all of the actors were "locked in place the movie stayed on mission." Whedon noted that the characters used do not have the same issue, unlike the X-Men. He felt "these guys just don't belong together" before realizing their interactions could be like The Dirty Dozen (1967). Whedon also referenced Dr. Strangelove (1964), The Abyss (1989), His Girl Friday (1940), and Black Hawk Down (2001). Whedon would ultimately share final screenplay credit with Penn, though Whedon noted he "fought" for sole credit and was "very upset about it." Penn felt the two "could have collaborated more, but that was not his choice. He wanted to do it his way, and I respect that."

The casting process continued into much of 2010, with the additions of Jeremy Renner, Mark Ruffalo, and Clark Gregg. Ruffalo replaced Edward Norton, whom Marvel declined to have back. "We have made the decision to not bring Ed Norton back to portray the title role of Bruce Banner in The Avengers," stated Feige. "Our decision is definitely not one based on monetary factors, but instead rooted in the need for an actor who embodies the creativity and collaborative spirit of our other talented cast members. The Avengers demands players who thrive working as part of an ensemble, as evidenced by Robert, Chris H, Chris E, Samuel, Scarlett, and all of our talented casts. We are looking to announce a name actor who fulfills these requirements, and is passionate about the iconic role in the coming weeks." In response, Norton's agent Brian Swardstrom decried Feige's statement, calling it "purposefully misleading" and an "inappropriate attempt to paint our client in a negative light". In October 2014, Norton claimed it was his own decision never to play Hulk again because he "wanted more diversity" with his career, and did not want to be associated with only one character.

In August 2010, it was reported that Paramount Pictures and Marvel Studios were planning to start shooting in February. In October 2010, Grumman Studios in Bethpage, New York and the Steiner Studios in Brooklyn, New York City, were announced as filming locations, with set construction slated to begin in November, but as Whedon later explained, "Originally we were supposed to be in Los Angeles, then for a short period we were supposed to be in New York, and then somehow we ended up in Albuquerque." Also that October, Walt Disney Studios agreed to pay Paramount at least $115 million for the worldwide distribution rights to Iron Man 3 (2013) and The Avengers. The deal also allowed Paramount to continue to collect the 8 percent box office fee it would have earned for distributing the film and a marquee credit—placement of the company's production logo on marketing materials and the film's opening titles. As a result, the onscreen production credit reads "Marvel Studios presents in association with Paramount Pictures" though the film is solely owned, distributed, financed, and marketed by Disney. Paramount's Epix retained pay TV rights.

In December 2010, Governor of New Mexico Bill Richardson and Marvel Studios Co-president Louis D'Esposito announced The Avengers would film primarily in Albuquerque, New Mexico, with principal photography scheduled for April through September 2011. Parts of the film were also scheduled to be shot in Michigan, but a plan to film in Detroit ended after Governor Rick Snyder issued a budget proposal that would eliminate a film tax incentive. Three months later in March, Governor of Ohio John Kasich announced before Mayor Frank G. Jackson's State of the City address that The Avengers would film in Cleveland.

Concept illustrator and designer of Iron Man's Mark VII armour Phil Saunders stated that "Joss Whedon was looking for something that had the 'cool' factor of the suitcase suit from Iron Man 2, while still being a fully armoured, heavy duty suit that could take on an army in the final battle." To that end, Saunders borrowed ideas that had been proposed in Iron Man 2 as well as some ideas that had been abandoned in Iron Man and merged them together in a modular suit that has big ammo packets on the arms and a backpack. The Science & Entertainment Exchange also provided science consultation for the film.

Casting reached its final stages the following year. In February 2011, Cobie Smulders was cast in the role of Maria Hill, after participating in screen tests conducted by Marvel for the role of a key S.H.I.E.L.D. member, who Samuel L. Jackson described as Nick Fury's sidekick. Over the successive months, the film's cast expanded to include Stellan Skarsgård, Paul Bettany, and Gwyneth Paltrow. Paltrow was cast at Downey's insistence; prior to this, Whedon had not intended the film to include supporting characters from the heroes' individual films, commenting, "You need to separate the characters from their support systems in order to create the isolation you need for a team."

Filming

Principal photography began on April 25, 2011, in Albuquerque, New Mexico at Albuquerque Studios, with the working title Group Hug. In June 2011, stuntman Jeremy Fitzgerald injured his head while attempting a stunt involving a 30-foot fall from a building after getting hit by an arrow. A Marvel spokesperson later told TMZ that despite the injury, Fitzgerald recovered and continued working on set. The following month, secondary filming took place about an hour outside Pittsburgh, Pennsylvania in the Butler area. A chase sequence was also shot in Worthington, Pennsylvania at Creekside Mushroom Farms, the world's largest single-site mushroom farm, which provided 150 miles of abandoned limestone tunnels 300 feet below the ground for filming.

Production relocated to Cleveland, Ohio in August 2011, where filming took place over a period of four weeks. The city's East 9th Street was chosen as a double for New York City's 42nd Street to be used in climactic battle scenes. Army Reserve soldiers assigned to the Columbus, Ohio-based 391st Military Police Battalion provided background action during the battle scenes in Cleveland. Staff Sergeant Michael T. Landis stated the use of real soldiers made the scenes more realistic and helped portray the military in a more positive light, explaining that, "It's easy for us to make on-the-spot corrections to tactics and uniforms. The director actually took our recommendation on one scene and let us all engage the enemy as opposed to only the gunners in the trucks engaging". Filming also took place in the large vacuum chamber at the NASA Plum Brook Station near Sandusky, Ohio. The station's Space Power Facility was used to portray a S.H.I.E.L.D. research facility. A series of explosions were filmed at the Chevrolet powertrain plant in Parma, Ohio as part of the battle sequence that began in Cleveland. Scenes from the film were also shot on Public Square and the Detroit–Superior Bridge. Public Square's southwest quadrant was turned into Stuttgart, Germany for filming.

Principal photography concluded in New York City, where filming occurred over two days. Locations there included Park Avenue and Central Park. For scenes taking place in Manhattan, visual effects supervisor Jake Morrison shot aerial footage for over three days to use as background plates, elaborating that his main objective was to "get as much aerial work in as possible for the audience to see the big expanses, the wide establishing shots, while also making sure that the effects work doesn't look too computer-generated". "We're getting much better at making entirely computer-generated environments," Morrison explained, "but there is no substitute for starting with a real image and adding what you need."

Cinematographer Seamus McGarvey stated that he composed the frame with a 1.85:1 aspect ratio to cope with the main characters' varying heights, explaining, "shooting 1.85:1 is kind of unusual for an epic film like this, but we needed the height in the screen to be able to frame in all the characters like Hulk, Captain America and Black Widow, who is much smaller. We had to give them all precedence and width within the frame. Also, Joss Whedon knew the final battle sequence was going to be this extravaganza in Manhattan, so the height and vertical scale of the buildings was going to be really important." The film was McGarvey's first venture with a digital camera, the Arri Alexa. The Canon EOS 5D Mark II and Canon EOS 7D digital SLR cameras were used for some shots, and high-speed shots were captured on 35 mm film with the Arriflex 435. About his visual approach, McGarvey remarked, "Joss and I were keen on having a very visceral and naturalistic quality to the image. We wanted this to feel immersive and did not want a 'comic book look' that might distance an audience with the engagement of the film. We moved the camera a lot on Steadicam, cranes and on dollies to create kinetic images; and we chose angles that were dramatic, like low angles for heroic imagery."

Post-production

In December 2011, Disney announced that the film would be converted to 3D. Said Whedon, "I'm not a big fan of extreme long lens, talky movies – I like to see the space I'm in and relate to it, so 3D kinda fits my aesthetic anyway. And the technology has advanced so far in the past couple years." Whedon also said that "there definitely are movies that shouldn't be in 3D" but "The Avengers isn't obnoxiously 3D. There's no, 'Oh look, we're going to spend 20 minutes going through this tunnel because it's in 3D!' And no one is pointing at the screen the entire time. But it's an action movie. Things tend to hurtle toward the screen anyway". In January 2012, it was reported that the film would be digitally remastered for IMAX 3D and would open in IMAX theatres on May 4, 2012, the same day it opened in regular theatres. The IMAX release followed Marvel's IMAX releases of Iron Man 2 and Thor.

In a May 2012 interview, Whedon said that it was his decision to include Thanos in a post-credits scene, although the character is not identified in the film. "He for me is the most powerful and fascinating Marvel villain. He's the great grand daddy of the badasses and he's in love with Death and I just think that's so cute. For me, the greatest Avengers comic book was Avengers Annual #7 (1977) that Jim Starlin did followed by Marvel Two-in-One Annual #2 (1977) that contained the death of Adam Warlock. Those were some of the most important texts and I think underrated milestones in Marvel history and Thanos is all over that, so somebody had to be in control and had to be behind Loki's work and I was like 'It's got to be Thanos.' And they said 'Okay' and I'm like 'Oh my God!'" An additional coda involving the Avengers eating shawarma was shot on April 12, 2012, a day after the world premiere. Evans wore a prosthetic jaw while filming the scene to cover the beard he had grown. Shawarma sales in Los Angeles, St. Louis, and Boston reportedly skyrocketed in the days following the film's release. Whedon stated the inspiration for the shawarma scene came from the events surrounding the filming of the scene where Fred dies in Wesley's arms in the Angel episode, "A Hole in the World". After filming the scene, Whedon and actors Amy Acker and Denisof, who portrayed Fred and Wesley, respectively, "went out for drinks and ended up just sitting around quietly, exhausted from the day's events," which Whedon then mimicked in the scene for the film.

Mark Ruffalo as the Hulk (bottom) wearing a motion capture suit and prosthetics on his upper half to simulate the Hulk's size

The film contains more than 2,200 visual effects shots completed by 14 companies: Industrial Light & Magic (ILM), Weta Digital, Scanline VFX, Hydraulx, Fuel VFX, Evil Eye Pictures, Luma Pictures, Cantina Creative, Trixter, Modus FX, Whiskytree, Digital Domain, The Third Floor, and Method Design. ILM was the lead vendor and shared responsibility for creating many of the film's key effects, including the Helicarrier, the New York cityscape, digital body doubles, Iron Man and the Hulk. To create the on-screen Hulk, Ruffalo performed in a motion-capture suit on set with the other actors while four motion-capture HD cameras (two full body, two focused on his face) captured his face and body movements. Jeff White, ILM's visual effects supervisor, aimed for a "less cartoony" depiction of the Hulk compared to the one the firm created for Ang Lee's 2003 film, stating, "We really wanted to utilize everything we've developed the last 10 years and make it a pretty spectacular Hulk. One of the great design decisions was to incorporate Mark Ruffalo into the look of him. So, much of Hulk is based on Ruffalo and his performance, not only in motion capture and on set, but down to his eyes, his teeth, and his tongue."

ILM digitally recreated the vast majority of the New York cityscape used in the film. In total, ILM artists rendered an area of about ten city blocks by about four city blocks. To do this, ILM sent out a team of four photographers to take pictures of the area in a shoot that lasted eight weeks. Tyson Bidner, the New York location manager on the film, helped by securing the rights to almost every building's likeness in the area ILM needed. Disney and Sony Pictures agreed for OsCorp Tower from The Amazing Spider-Man (2012) to be included in the film, but the idea was dropped because much of the skyline had already been completed.

Weta Digital took over duties for animating Iron Man during the forest duel from ILM. Guy Williams, Weta's visual effects supervisor, said, "We shared assets back and forth with ILM, but our pipelines are unique and it's hard for other assets to plug into it. But in this case, we got their models and we had to redo the texture spaces because the way we texture maps is different." Williams said the most difficult part was re-creating Iron Man's reflective metal surfaces.

Scanline VFX completed the reveal shots of the Helicarrier, from the moment Black Widow and Captain America arrive on the carrier deck to the point where it lifts off. Evil Eye Pictures composited digital backgrounds into shots filmed against a greenscreen for scenes taking place inside the Helicarrier. Colin Strause of Hydraulx said, "We did the opening ten minutes of the movie, other than the opening set-up in space" including Loki's arrival on Earth and subsequent escape from the S.H.I.E.L.D. base. Luma Pictures worked on shots featuring the Helicarrier's bridge and incorporated the graphic monitor displays that were developed by Cantina Creative. Fuel VFX completed shots taking place in and around Tony Stark's penthouse at Stark Tower. Digital Domain created the asteroid environment, where Loki encounters The Other. Method Design in Los Angeles created the film's closing credits. Steve Viola, creative director at Method Design, said, "This piece was a two-minute, self-contained main on end sequence created entirely in CG. For each of the shots in the sequence, we designed, modelled, textured, and lit all of the environments and many of the foreground objects. We received assets from Marvel to include in the piece, then heavily re-modelled and re-surfaced them to create a post-battle macro sequence. We also designed a custom typeface for the Main Title of The Avengers as well as 30 credits set in-scene."

Music

Further information: The Avengers (soundtrack) and Music of the Marvel Cinematic Universe

In November 2011, Marvel announced that Alan Silvestri, who scored Captain America: The First Avenger, would write and compose the score for The Avengers. Silvestri said, "I've worked on films where there have been a number of stars and certainly worked on films where there have been characters of equal weight in terms of their level of importance and profile in the film, but this one is somewhat extreme in that regard because each of these characters has their own world and it's a very different situation. It's very challenging to look for a way to give everyone the weight and consideration they need, but at the same time the film is really about the coming together of these characters, which implies that there is this entity called the Avengers which really has to be representative of all of them together." Silvestri developed the score with the London Symphony Orchestra at Abbey Road Studios in London, England. Whedon said, "The score is very old-fashioned, which is why Silvestri was letter-perfect for this movie because he can give you the heightened emotion, the Hans Zimmer school of 'I'm just feeling a lot right now!' but he can also be extraordinarily cue and character specific, which I love."

In March 2012, the Indian rock band Agnee released a music video for its single "Hello Andheron", which serves as the theme song for the film's Indian release. Hollywood Records released the soundtrack concept album inspired by the film, Avengers Assemble, on May 1, 2012, the same day as the score.

Release/Reception/Box Office

In February 2012, Disney announced that the film's title would be changed in the United Kingdom to avoid confusion with the British TV series of the same name, as well as its 1998 film adaptation. This led to confusion over the film's actual title. Empire magazine reported that the film would be titled Marvel Avengers Assemble while The Hollywood Reporter said that it would be called simply Avengers Assemble. Marvel's UK website refers to the film as Marvel's Avengers Assemble, although David Cox of The Guardian, in arguing that it was one of the worst film titles ever, considered this to be an error in the production notes, albeit grammatically clearer. According to the British Board of Film Classification and the Irish Film Classification Office, the title is Marvel Avengers Assemble. Frank Lovece in FilmFestivalTraveler.com addressed the discrepancy, writing, "The Avengers — formally titled Marvel's The Avengers onscreen, though no apostrophe-s appears on the posters". Producer Kevin Feige said there are only two words in the UK title, one more than in the U.S. title, and stated that "decisions like that aren't made lightly and there are lots of marketing research, lawyers and things that get into the mix on it".

The film's world premiere was April 11, 2012, at Hollywood's El Capitan Theatre. The Avengers closed the 11th Annual Tribeca Film Festival with a screening on April 28. The film received an expanded one-week theatrical push for the 2012 U.S. Labor Day weekend, increasing the number of theatres from 123 to 1,700. The Avengers was the last film released in Phase One of the MCU.

The film was released by Walt Disney Studios Home Entertainment on Blu-ray Disc, Blu-ray 3D, DVD, and digital download on September 25 in the United States and as early as August 29 in various international markets. Producer Kevin Feige said the Blu-ray features a new Marvel One-Shot titled Item 47 (2012) and "a number of deleted scenes and a few storylines that fell by the wayside during the editing process" including "a few more scenes with the S.H.I.E.L.D. agent Maria Hill, played by Cobie Smulders" and "some slightly different versions of Maria Hill and Nick Fury's interaction with the World Security Council".

The film was also collected in a 10-disc box set titled "Marvel Cinematic Universe: Phase One – Avengers Assembled" which includes all of the Phase One films in the Marvel Cinematic Universe. It was released on April 2, 2013. Walt Disney Studios Home Entertainment released the film on Ultra HD Blu-ray on August 14, 2018.

Some fans have criticized the UK DVD and Blu-ray release for omitting Joss Whedon's audio commentary, and for altering the scene involving Phil Coulson's death from the film's theatrical version. Disney's UK division said the "less graphic depiction of Agent Coulson's confrontation with Loki" occurred because "each country has its own compliance issues relative to depictions of violence. Unfortunately, another region's elements were inadvertently used to create the UK in-home release".

Upon its first week of release on home media in the U.S., the film topped the Nielsen VideoScan First Alert chart, which tracks overall disc sales, as well as the dedicated Blu-ray Disc sales chart with 72% of unit sales coming from Blu-ray, a record for a new release in which both the DVD and Blu-ray formats were released simultaneously.

The film became the third-highest-grossing film of all time, the highest-grossing film of 2012, the highest-grossing film distributed by Disney, the highest-grossing superhero film, and the highest-grossing film based on comics. It opened Friday, May 4, 2012, on around 11,800 screens across 4,349 theatres, and earned $80.8 million, marking the second-biggest opening and second-biggest single-day gross. The film's Friday gross included an $18.7 million midnight run, a record for a superhero film Without midnight grosses, the film earned the largest opening-day gross ($62.1 million). It also set a Saturday- and Sunday-gross record ($69.6 million and $57.1 million respectively). In total, it earned a total of $207,438,708 for its debut weekend, setting an opening-weekend record, including an IMAX opening-weekend record of $15.3 million and a record for opening-weekend grosses originating from 3D showings ($108 million). The opening-weekend audience was evenly split among those under and over the age of 25, with 60% of the audience male, 55% couples, 24% families, and 21% teenagers. Earning $103.1 million on its second weekend, the film set a record for the largest second-weekend gross. Other records set by the film include the biggest weekend per-theatre average for a wide release ($47,698 per theatre), the fastest film to reach $100 million and each additional $50 million through $550 million, and the largest cumulative gross through every day of release until, and including, its forty-third day (with the exception of its first day). It remained in first place at the box office for three consecutive weekends. The film set a record for the highest monthly share, with its $532.5 million total (through May 31, 2012) accounting for 52% of the total earnings at the box office during May.

The Avengers grossed $623.4 million in the United States and Canada, and $895.5 million in other territories, for a worldwide total of $1.519 billion, becoming the third-highest-grossing film of all time, the highest-grossing film of 2012, the highest-grossing comic book adaptation, the highest-grossing superhero film, and the highest-grossing film ever released by Walt Disney Studios, at the time of its release. The film's worldwide opening of $392.5 million was the fourth-largest. The Avengers also became the fifth film distributed by Disney and the twelfth film overall to earn more than $1 billion. It reached this milestone in 19 days, matching the record previously set by Avatar (2009) and Harry Potter and the Deathly Hallows – Part 2 (2011). Its grosses exceeded its estimated $220 million production cost 12 days after its release. It was the first Marvel production to generate $1 billion in ticket sales.

{Plus it sparked a meme, look up Loki Smile meme and you'll see}

My Review

Any comic book movie - worth its salt far as budgets go - can give us terrific action with mind-blowing CGI and special effects. Marvel's The Avengers, the culmination of the work of five movies (one of them a sequel to the first, Iron Man), is stuffed with a good load of action and mayhem and a climax that bursts at the seams with aliens being torn apart by the heroes Captain America, Incredible Hulk, Thor and Tony Stark (plus relative newcomers Black Widow and Hawkeye, with Nick Fury and Agent Colson in the wings), and if you want to get your money shots, Joss Whedon doesn't skimp out. But the reason why he was chosen as the filmmaker here wasn't just for name cachet (though it probably helped).

What Whedon's done over much of his career in TV and other films and webseries (Buffy, Firefly, Dr. Horrible, Angel, etc) was excel at bringing groups of people together against fantastical, supernatural, other-worldly/alien forces, but making it always about stakes, humor, horror, drama and solid conflicts. Villains don't just act nasty, they have their own logic and reasons for doing what they do, and if they're not sympathetic they certainly are understandable as characters, full of the stuff that makes them great to watch, especially with the best dialog probably out of anyone (i.e. the Mayor on Buffy, for those that recall).

So here we get Loki, previously a villain in Thor (and later sort of brought back for Thor 2), and is by far the highlight of the film as Tom Hiddleston chews up scenery, but does it in a kind of elegant, theatrical, relishing way. By the time he spews out 'Muelling quim", you're on the edge of your seat. His performance, what he does with every moment of screen time, is much more exciting than any alien snake going through the sky. And yet his ego and petty-mindedness does him in, and Whedon has a lot of fun writing this character, making him a threat but someone who can be taken down under the circumstances.

This is one of the best of the Marvel films just by the way that Whedon goes about the sort of 'Ghostbusters/Ninja Turtles' formula - the four main players, each distinct, playing off one another, but things could turn on a dime any moment amid the jokes and this and that. Along with Hiddleston, Downey once again makes Tony Stark a helluva great character to take in as he is constantly thinking even as he is laying his sarcasm and deadpan on the other characters. And Johansson actually has a few really great scenes - Whedon has always written women characters as complex to the point that they put other "complex" male characters to shame - and somehow amid the many characters and plot turns going on, she stands out, especially Widow's scene with Loki. Ruffalo, too, does a lot with a little... until he gets to the "other guy".

I don't know if Avengers is great art, but it does what I want to see when I go to big giant behemoth-like spectacles: provide me a host of characters who have to work together, and gives them interesting, entertaining and believable things to say. At 142 minutes it goes by at a great pace as well - not too fast, not too slow, nothing drags here, and that counts as well. Along with the first Iron Man and the recent Marvel Netflix show Daredevil, this is the MCU at the top of their game. 8.7!