Psycho's Movie Reviews #161: The Watcher (2000)

The Watcher is a 2000 American thriller film directed by Joe Charbanic and starring James Spader, Marisa Tomei and Keanu Reeves. Set in Chicago, the film is about a retired FBI agent who is stalked and taunted by a serial killer.

Plot

In Los Angeles, FBI Special Agent Joel Campbell is moments too late to save a young woman from a serial killer he has been investigating, who escapes. Campbell quits his job and moves to Chicago, where he is plagued by guilt-induced migraines. Campbell attends therapy sessions with Dr. Polly Beilman, but otherwise has no friends or social life.

Campbell learns that a woman who lived in his apartment building has been murdered. He does not pay it much attention until he opens his mail and finds that a picture of the woman had been sent to his apartment three days before the murder. He brings this information to the attention of the detective on the case, Det. Mackie, and comes to the conclusion that the same serial killer has arrived in Chicago. FBI Special Agent in Charge Ibby tries to persuade Campbell to return to the case, but he refuses.

One night Campbell receives a phone call from the killer, David Griffin, who reveals that he followed Campbell to Chicago and wants to rebuild the "rapport" they once had. Griffin tells Campbell that he will send a photo of a woman in the morning, and Campbell has until 9:00 pm that night to find her. Campbell tells Ibby that he wants back in on the case, and his request is granted.

Campbell works together with Mackie and the rest of the team in getting the word out on finding the woman before the deadline. However, by the time Campbell gets her house number and calls, Griffin is already there, and has slit her throat. Griffin suggests they continue their "game" with a different woman. The next day, Campbell and his team try to find the next intended victim before the 9:00 pm deadline. They corner and almost catch Griffin, but he manages to once again kill the woman and escape. Later that night Campbell is found unconscious in his apartment by his colleagues.

The next day, another photo arrives, but it turns out to be the image of Lisa Anton, Campbell's former lover who was killed indirectly because of Griffin by Campbell, back in Los Angeles. Campbell goes to Lisa's grave, where Griffin is waiting for him. Griffin explains that he has Beilman hostage somewhere, and only wants to talk with him. Campbell negotiates for Beilman's safety, and Griffin eventually agrees to bring Campbell to see her. During the drive, Griffin explains that he considers Campbell a "good friend", and that the two of them need each other. Campbell secretly uses his cell phone to call Mackie, cluing him in on the situation. Griffin takes Campbell to the warehouse, knocks him out, and restrains him while he starts to strangle Beilman. Campbell distracts Griffin by saying 'thank you'. When Griffin asks Campbell to repeat himself, Campbell does, and proceeds to stab him in the neck with a pen before shooting him in the shoulder with a double-barrelled shotgun. Campbell rescues Beilman and gets them both to safety as the warehouse explodes, killing Griffin.

When Campbell and Beilman are safe, Campbell goes over to Griffin's charred corpse and looks at it to make sure he's dead.

Production

Reeves has stated that he was not interested in the script but was forced into doing the film when a friend forged his signature on a contract. He performed the role rather than get involved in a lengthy legal battle. Reeves reached an agreement with distributor Universal Pictures in which he would not disclose what had happened until 12 months after the film's US release; in return, Universal agreed to downplay Reeves's involvement in marketing, and Universal asked the film's producers to enhance Reeves's profit participation (which led Reeves to ultimately receive an additional $2 million). He was unhappy with the fact that his role, which was originally written as little more than a cameo, turned into a lead while he was still being paid scale in contrast to the other leads. The Watcher (originally known as Driven before a film of that same name was announced) was filmed between October and December 1999 on location in Chicago, Illinois and Oak Park, Illinois.

This movie featured the 1996 hit "6 Underground" performed by Sneaker Pimps.

Reception/Box Office

The film was critically panned with Rotten Tomatoes holding an 11% rating based on 90 reviews. Keanu Reeves earned a Razzie Award nomination as Worst Supporting Actor for his performance, "losing" the award to Barry Pepper for Battlefield Earth.

The film opened at the top spot of the North American box office making $9,062,295 USD in its opening weekend. The September 15-17, 2000 weekend had one of the worst box offices since the 1980s. It had a 36% decline in gross earnings the following week but that was enough to keep the film at the top spot. Its total domestic gross was $28,946,615.

Budget $33 million

Box office $47.3 million

My Review

The Watcher portrays the somewhat symbiotic relationship between hero and villain and it explores the peculiar means of communication that develop between the two.

The Watcher follows its two main characters intimately, often detailing the mechanics of Griffin's moves through Campbell's point of view as an observer who must solve a mystery. By depicting Campbell's dependence on painkillers, for example, The Watcher successfully transmits the deteriorated mental and physical state of this protagonistic character. The Watcher is most intriguing when it attempts to portray a society that --through its indifference-- creates its own victims and delivers, so to speak, the loneliest and most vulnerable to their executioner. The Watcher uses this notion of people's unwillingness to help and builds its suspense by simultaneously emphasizing the protagonist's struggles to beat the murderer's deadline. Furthermore, The Watcher successfully defines both protagonist and antagonist as "the watcher" of the other, thus suggesting a somewhat sado-masochistic bond between the two. In spite of this success, The Watcher relies on an excess of repeated flashbacks in the form of highly stylized, often blurry, shots that depict Campbell's previous interaction with Griffin. This choice weakens The Watcher's attempts to establish realism around both characters' past connection, and loosens the otherwise tight pace of the plot.

The watcher hits on both a realistic level, and an entertaining level never before reached with a movie starring Keanu Reeves.

I, like many others, wasn't too bothered by this film when it was released - it looked like it would be yet another serial killer movie, and it was! The plot requires the usual gimmick and here it is the old chestnut of the cop and bad guy needing each other and the killer having a sort of respect and need for his pursuer. None of the film will surprise you but it still moves forward reasonably quickly without being dull and it is reasonably enjoyable. The action scenes are not great and the film never really has a real air of menace or tension, but it is still slick enough to watch - even if it is almost impossible to be emotionally involved.

The director managed to get his timing right to get Reeves in the midst of a reasonable cast; he shot a few videos for Reeves' band years prior in exchange for Reeves doing this film which, despite hitting it big with The Matrix, was a promise he honoured. However as a director his music video roots are heavily showing here with far too many flashy visual tricks that stick out from the body of the film and actually take away more than they bring. However, getting Reeves was worth him having the chair for his star does surprisingly well to step out of his Neo role and into a mean, playful role. No, he's not doing anything different with it from anyone else who plays this type of serial killer role but he is still charismatic enough to make a difference. Spader is also pretty good and has more to work with than Reeves, but Tomsei is almost totally wasted with very little to do to justify such a well known actress. To be honest none of them have much to work with above the norm, but they still add to the film by their names.

Overall I did quite enjoy the film but I will be the first to admit that it was nothing new and really didn't do anything different or unusual with the basic premise and material. The director tries to liven it up a bit with the odd visual trick, but it only serves to make the film look a little desperate to be different. The end result is an average thriller that has a better than average cast (for this type of thing) and will pass the time without annoying you if you know what to expect. 6.8/10